{"id":94,"date":"2017-06-11T20:14:00","date_gmt":"2017-06-11T20:14:00","guid":{"rendered":"https:\/\/seanchenpiano.com\/pianonotes\/?p=94"},"modified":"2017-06-11T20:14:00","modified_gmt":"2017-06-11T20:14:00","slug":"doing-your-due-diligence","status":"publish","type":"post","link":"https:\/\/seanchenpiano.com\/pianonotes\/2017\/06\/11\/doing-your-due-diligence\/","title":{"rendered":"Doing your Due Diligence"},"content":{"rendered":"<p>Hey all! I wanted to do a short post today on examples of why it is important for\u00a0pianists to consult many sources when they&#8217;re learning and studying a new work. We are so fortunate in this day and age to have relatively easy access to so many forms of media, whether it be open-source first edition scores, recordings, secondary sources, or even manuscripts. All from the computer of our computer desk! Yes, sometimes even after all this studying you may still not have conclusive evidence about certain things, but at least you are more informed in the choices you make regarding interpreting the text.<\/p>\n<p>Throughout the years studying and listening to different people play these following works, I&#8217;ve found some interesting misreadings. These are just a few that have been fueled by what I&#8217;ve heard most recently, but there are definitely more. Misprints in editions also often occur (the B\u00e4renreiter Brahms Horn Trio and the Universal Edition Strauss Violin Sonata have been the most egregious recent ones) and we have to be very careful when we&#8217;re learning new repertoire.<\/p>\n<p><strong>Rachmaninoff Rhapsody on a Theme of Paganini Op. 43<\/strong><\/p>\n<p>We&#8217;ll start with a simple one. The edition I learned this piece from was the Kalmus, and I think it&#8217;s just a basic reprint of the first edition. The end of Variation 11 always confused me, because after a series of sixteenth rests, there was an eighth rest. However, if you take into account the notes that follow, the beats didn&#8217;t work out. It wasn&#8217;t until I looked at the full score where I found out that there was a missing triplet sign. Might not change much in the grand scheme of things, but it&#8217;s kind of nice knowing that the beats add up.<\/p>\n<div id='gallery-1' class='gallery galleryid-94 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/seanchenpiano.com\/pianonotes\/2017\/06\/11\/doing-your-due-diligence\/rhapsody_score\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"264\" src=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_score-300x264.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-97\" srcset=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_score-300x264.png 300w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_score.png 665w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-97'>\n\t\t\t\tFull Score: Notice the triplet marking and the extra pianissimo markings!\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/seanchenpiano.com\/pianonotes\/2017\/06\/11\/doing-your-due-diligence\/rhapsody_piano\/'><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"300\" src=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_piano-232x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-96\" srcset=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_piano-232x300.png 232w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_piano-768x994.png 768w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_piano-791x1024.png 791w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rhapsody_piano-e1497210421256.png 453w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-96'>\n\t\t\t\tPiano Reduction: No triplet marking.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Prokofiev Piano Concerto No. 2, Op. 16<\/strong><\/p>\n<p>I haven&#8217;t gone through the whole piece in detail yet, but I noticed this interesting misreading in many people&#8217;s performances, both in recordings and live. This misreading depends on the edition you use.<\/p>\n<p>This is in the 1st movement cadenza. Because some of the solo editions break the measure across the system break, the accidentals which should carry through aren&#8217;t given courtesy markings. The G&#8217;s should be sharped on the\u00a0<strong>sf<\/strong> chord.<\/p>\n<div id='gallery-2' class='gallery galleryid-94 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-score.png'><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"165\" src=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-score.png\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-2-101\" srcset=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-score.png 765w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-score-300x94.png 300w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-101'>\n\t\t\t\tFull Score: You can see that it should clearly be a E7 chord.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-piano.png'><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"370\" src=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-piano.png\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-2-100\" srcset=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-piano.png 798w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-piano-300x211.png 300w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/prokofiev-2-piano-768x541.png 768w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-100'>\n\t\t\t\tPiano Reduction: The measure break makes it awkward to read.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Rachmaninoff Concerto No. 3, Op. 30<\/strong><\/p>\n<p>This is in the cadenza section as well, and again it is because of a measure break. This time, rather, it is that the full score has a break in it, and so the accidentals should be assumed to reset; however, in the piano reduction score, the break is in a different location in the measure, and so it seems as if the accidentals carry through. This is one of those cases that I thought I was being very detailed by playing the A and the B naturalized, but it wasn&#8217;t until I looked at the full score did I realize that they were indeed flatted. You can also listen to Rachmaninoff play it himself, and he does the flats, and the subsequent high E is also flat (I didn&#8217;t highlight it, but it&#8217;s obvious).<\/p>\n<div id='gallery-3' class='gallery galleryid-94 gallery-columns-2 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/seanchenpiano.com\/pianonotes\/2017\/06\/11\/doing-your-due-diligence\/rach-3-piano\/'><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" src=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rach-3-piano.png\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-3-109\" srcset=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rach-3-piano.png 728w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rach-3-piano-300x225.png 300w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-109'>\n\t\t\t\tPiano Reduction: It seems like the A and the first high B should be natural, carried over from the previous figurations.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/seanchenpiano.com\/pianonotes\/2017\/06\/11\/doing-your-due-diligence\/rach-3-score\/'><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"263\" src=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rach-3-score.png\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-3-110\" srcset=\"https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rach-3-score.png 694w, https:\/\/seanchenpiano.com\/pianonotes\/wp-content\/uploads\/2017\/06\/rach-3-score-300x150.png 300w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-110'>\n\t\t\t\tFull Score: However, it becomes clear that someone overlooked putting flats on those notes, because they thought it was a new measure.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>Happy Pianoing!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hey all! I wanted to do a short post today on examples of why it is important for\u00a0pianists to consult many sources when they&#8217;re learning and studying a new work. We are so fortunate in this day and age to have relatively easy access to so many forms of media, whether it be open-source first &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/seanchenpiano.com\/pianonotes\/2017\/06\/11\/doing-your-due-diligence\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Doing your Due Diligence&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,5],"tags":[],"_links":{"self":[{"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/posts\/94"}],"collection":[{"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/comments?post=94"}],"version-history":[{"count":14,"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/posts\/94\/revisions"}],"predecessor-version":[{"id":114,"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/posts\/94\/revisions\/114"}],"wp:attachment":[{"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/media?parent=94"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/categories?post=94"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/seanchenpiano.com\/pianonotes\/wp-json\/wp\/v2\/tags?post=94"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}